Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Peter Severin Kroyer
kunstnerens datter vibeke

ID: 64665

Peter Severin Kroyer kunstnerens datter vibeke
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Peter Severin Kroyer kunstnerens datter vibeke


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Peter Severin Kroyer

Norwegian-born Danish Painter, 1851-1909  Related Paintings of Peter Severin Kroyer :. | hip, hip, hurra | julefest pa brondums hotel 26 december | en hvid bad i strandkanten, lys sommeraften | i kobmandens bod naar der ikke fiskes | portraet af froken tb |
Related Artists:
James Duffield Harding
English Painter, ca.1797-1863 English painter, engraver and writer. He received his first lessons in painting from his father, J. Harding (d 1846), who was a pupil of Paul Sandby. By 1807 the family had moved to Greenwich where Harding spent much of his time drawing and painting in Greenwich Park. In 1811 at the age of 14 he exhibited for the first time at the Royal Academy. He had lessons in watercolour painting from Samuel Prout and in 1816 he won the Society of Arts silver medal for landscape painting.
William Holyoake
British genre and historical painter , 1834-1894
Jan van Bijlert
Dutch Baroque Era Painter, ca.1597-1671 Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings, such as St Sebastian Tended by Irene (1624; Rohrau, Schloss; see fig.) and The Matchmaker (1626; Brunswick, Herzog Anton Ulrich-Mus.), is characterized by the use of strong chiaroscuro, the cutting off of the picture plane so that the image is seen close-up and by an attempt to achieve a realistic rather than idealized representation.






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